TV traps ready for the oven

But the West in “Victory Time” does not match the memories of the real Jerry West, or many others who were part of the Lakers’ organization at the time. When West recently asked HBO to resign and apologize, several figures on the show, including Abdul-Jabbar (who was also protesting his own portrait) and former forum executive Claire Rothman, immediately sided with him. They claim that Vesti was not shouting and was not hesitant in his activities and that they never saw him drinking in the cabinet. And while it is always possible that time and friendship have softened everyone’s memories, it is worth noting that West’s more outrageous moments on the show are not in Perlman’s book. In response to West’s criticism, HBO released a statement saying “Victory Time” is based on extensive factual research and credible sources, but it is not a “documentary.”

The same can be said for many shows these days. From the latest iteration of “Stairs,” a dramatic mystery death in North Carolina featured in the 2004 documentary “WeCrashed,” about the failed WeWork startup, “Pam & Tommy,” which features Pamela Anderson and Tommy Loris. , Modern television is full of semi-fictional accounts of recent events. This shows the avoidance of logistical and cost problems associated with reporting the news from scratch by retreating the prefabricated narrative. The reason for this booklet – call it Oven-Ready TV – is the same reason why Hollywood produces superhero movies: it is seen as a safe form of intellectual property for investment. “- Told me a journalist who turned into a real crime, the writer of the TV company Bruce Bennett. “If you go in the door and arrange something that has been done in other media outlets or in the arena, there is a sense of security and familiarity for the people of development and production who have to pay for it.

The most notable recent example of this phenomenon is The Dropout, a Hulu arch drama about the rise and fall of Theranos founder Elizabeth Holmes, followed by the 2018 book Bad Blood, overlapping podcasts, and the HBO documentary Alex. Gibney called him an “inventor.” Watching the dramatization with Gibbon’s film, it is amazing how alien Holmes looks in real life compared to Amanda Seyfried’s magnificent, humanitarian portrait. Where “Victory Time” uses West’s character to reinforce the drama, “Fall” seems to reduce Holmes to his own ends – making him more sympathetic, more sympathetic. This is an understandable narrative decision, but also a curious one, given how easy it is to observe the real Holmes in so many places and notice the difference. (Another recent example, Anna’s Invention, caught the eye of many journalists with its New York magazine coverage of the process and its unreliable life.)

“If you go in the door and do something that has been done in other media outlets or on the arena, there is a built-in sense of security and familiarity.”

But what does any of this show owe to the people they portray and the audience who spends many, many hours with the characters who might reasonably expect something to be real? Vest, a victim of child poverty and domestic violence, was painfully honest about the unfavorable circumstances that created her and her desperate attacks of anxiety and depression. He wrote about it in his autobiography, 2011 By West: West: My Charmed, Tormented Life, and in the same year, the wonderful feature of Sports Illustrated went even further, showing the West fighting its own hatred and suicidal thoughts.

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